Perhaps you used a “literature value” rather than measuring that quantity under your own experimental conditions. Perhaps you further assume that physical constants, like equilibrium constants, enthalpies, and others, do not change (much) from 25.0° C to the actual ambient temperature. Maybe you assumed a typical ambient air pressure without taking a measurement of the actual value. Perhaps you assume that the room temperature is 25.0° C (most UCalgary building HVAC is set to 21 ° C and fluctuates around that). Some Common Sources of ErrorĮvery experiment is different, but if you are analyzing your procedure for potential sources of uncertainty, there are a few places you can start: Assumptions About Physical StatusĮvery procedure comes with some assumptions. In a group of people observing the same meniscus you expect to get a range of readings, mostly between 25.5 – 25.7 mL. Another example is the interpolation of the final digit on a scale, as in the example earlier in this section. You can observe random error when you weigh an object (say, recording a mass of 1.0254 g) and when re-weighing it, you get a slightly different measurement (say 1.0255 g). Random error can usually be reduced by adjusting the procedure or increasing skill of the experimenter, but can never be completely eliminated. Random errors are those that primarily affect the precision of your final value. Another could be doing calculations using an equilibrium constant derived for a temperature of 25.0° C when the experiment was done at 20.0° C. One example of a systematic error could be using a pH meter that is incorrectly calibrated, so that it reads 6.10 when immersed in a pH 6.00 buffer. These errors usually exist and are often constant for the duration of the experiment – or if changing slightly, like an instrument reading “drifting” with time, they are in a consistent direction (higher or lower than the “true” value). These can often be greatly reduced or eliminated entirely by adjusting your procedure. Systematic errors are those that affect the accuracy of your final value. While these are not sources of error, knowing the two main ways we classify uncertainty or error in a measurement may help you when considering your own experiments. When considering sources of error for a lab report be sure to consult with your lab manual and/or TA, as each course has different expectations on what types of error or uncertainty sources are expected to be discussed. Each experiment and measurement needs to be considered carefully to identify potential limitations or tricky procedural spots. When taking a measurement or performing an experiment, there are many ways in which uncertainty can appear, even if the procedure is performed exactly as indicated.
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Using Walker & Avant method of concept analysis, literature was reviewed and synthesized to define and explain the concept of foundational competence in nursing using evidence and practice from various disciplines.Īntecedents, attributes, empirical referents and consequences of foundational competence were identified. Without shared language, competence remains open for interpretation across and among groups and impedes the ability to teach and assess it in a competency-based education framework. To define the concept of foundational competence as it pertains to prelicensure and graduate nursing students during their educational program, thereby informing pedagogical and assessment practices.Ĭompetence has many definitions and uses, however a lack of consensus of a clear and useful definition in nursing persists. 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Like the first best selling Handbook, this one will also undoubtedly become an essential resource for people involved in all spheres of education, from classroom teachers, teacher leaders and administrators to educational researchers, curriculum developers, and university professors. The updated handbook remains connected to the classical concerns of the field, such as educational innovation, reform, and change management, and also offers new insights into educational change that have been brought about by social change and shifting contexts of educational reform. Written by the most influential thinkers in the field, these volumes cover educational change at both the theoretical and practical levels. The two volumes of the second edition of the International Handbook of Educational Change comprise a totally new, and updated collection of the most critical and cutting-edge ideas in educational change. Now we're blessed with a complete game that's rather short but enjoyable. Thankfully, he fucking came back and finished the whole game. For some unknown reasons, Pixel Factory got off the internet and vanished. Mind you, Parasite In City has been out since 2013. According to most boards I've been to, the guy is quite nice with fans and continually updates everyone about the game's progress. Parasite In City is made by none other than Pixel Factory. Here's my fucking honest review of Parasite In City.įirst and foremost, I have to give props to the creator of this cool game. In Parasite In City, you control a blonde chick with massive tits, kinda like Cammy, without the army paint. It's not hard to see how their hot and sexy appeal made even the nerdiest gamers cum. Chun-li and Cammy were the hottest video game chicks back in the day. For you dickheads who enjoyed playing the original arcade game, Street Fighter, you'll enjoy Parasite In City's looks.Ĭome on I know you fucking jacked off to some hot character in Street Fighter. There's a lot to notice here, from the simple gameplay, simple graphics, and slightly okay sound. Although it's okay, it doesn't excite me too much. Perhaps one of the more enjoyable adult games I've played so far, Parasite In City, doesn't fail to disappoint. A second season titled Ai Yori Aoshi: Enishi ( 藍より青し ~縁~) was set two years later and aired in 2003. The anime was broadcast on Fuji TV in 2002. It is a love story between two characters who have not seen each other in years, but were once childhood friends.Īn anime television series adaptation was animated by J.C.Staff and directed by Masami Shimoda, with Kenichi Kanemaki handling series composition, Kazunori Iwakura designing the characters and Toshio Masuda composing the music. The manga was serialized in Hakusensha's Young Animal magazine from 1998 to 2005 and the chapters collected into 17 tankōbon volumes. Ai Yori Aoshi ( 藍より青し, "Bluer Than Indigo") is a Japanese manga series written and illustrated by Kou Fumizuki. Quickly it became very evident that kids loved the different games being presented in a mixed-design format. Shaheen when asked about the challenges he came across in designing the show, he said to Schwartz that “kids are the adaptable ones… not the adults programming the shows. In a video by Youtuber William Schwartz, he interviewed Adam Shaheen the president of Canadian production company Cuppa Coffee Studios and lead animator of the show. Make what you will about the visual symbolism of the opening introduction but to me, Crashbox was a show that was unlike anything I have ever seen on television at the time. The screen of the computer turns on and then shows an untouched and undamaged brain that is now awake! The computer screen then physically opens up and reveals inside an industrial factory of working robots that are crafting these little tiny green squares which represent the different variety of game segments of the show. Music of a lullaby song is playing and the sound of snoring is coming from the brain, a quick cut above shows a plummeting computer which then crashlands onto the pillar absorbing the snoozing brain. We three would be all excited and would frantically run to the living room as soon as we heard the opening title sequence of the show.Ī broadcast opens with an all-static screen in which the HBO logo appears, the beginning of the intro of the show depicts a blueish cloudy background with a marble pillar and at the center of the screen floating directly above this pillar is a brain. It was between my sister, brother, and myself that we would shout and call for each other when one would find it airing on HBO Family. I can remember from kindergarten to the 3rd grade this one show that would give me profound joy and wonder. Crashbox: A Children’s Show, Unlike any other. It’s a twisted version of imposter syndrome, the feeling that the life you enjoy is undeserved. She always knew her actions would have consequences, that she didn’t really belong in this world. In hindsight, Adelaide’s strangely sympathetic behavior to the psychotic doppelgänger children makes perfect sense, as does her unwillingness to converse with Kitty, and her reluctance to return to the beach. She swapped roles with her “original,” and thus, condemned Red to a life of suffering. Without knowing it, the ordinary Americans going about their business are puppet masters to the wretched doppelgängers. The bleak underworld resembles a depressing underground mall, the inhabitants doomed to echo the actions of the people above. Their red jumpsuits invoke prison uniforms, the white rabbits bring to mind the countless animal test subjects that have suffered, so we don’t have to. When she returns to the hall of mirrors, it has been repackaged as the more politically correct “Merlin’s Journey.” And inside, going down the literal rabbit hole, she enters the place where the doppelgängers were born into imprisonment. When young Adelaide initially visits the hall of mirrors, it is marketed as the “Shaman’s Journey,” echoing the Native American genocide that birthed America. This trail of blood only gets thicker as we move back through history, and learn about how our civilizations were founded. We are connected to these unfortunate people, though we try not to think about them. But as night descends, their serenity turns to tension and chaos when some shocking visitors arrive uninvited.The clothes we wear, the food we eat, and the cheap technology we buy are provided through supply chains that get progressively nastier the further they move away from us. 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Grab and Guard also follow the same reasons and uses as well. Stand Firm comes next for all of the same reasons that were outlined before, it is no good being able to get next to your target if they can then just push you away. (They still need a team mate to help negate Really Stupid though.) The advantage it does have is that they won’t need babysitting as much to have team mates to block them free and they can reposition much easier if the play moves. There are plenty of successful coaches who take Break Tackle first though and it isn’t a mistake, just a preference. Blocking them free to move is my preferred way of doing things which is why I personally go for the previous build. You can avoid that though with careful positioning of all your players and Break Tackle also requires the Beast of Nurgle to attempt another dice roll that could possible fail. I would favour this route if you find the opposing coaches will often try and just feed your Beast of Nurgle a Lineman and keep them marked away from the action. This time though you start off with Break Tackle rather than waiting for it. In all honesty this is a slight variation in pretty much the same role as before. Normal: Break Tackle, Stand Firm, Grab / Guard.MIDDLE-EARTH, THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, THE LORD OF THE RINGS: THE TWO TOWERS, THE LORD OF THE RINGS: THE RETURN OF THE KING and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc. THE HOBBIT: AN UNEXPECTED JOURNEY, THE HOBBIT: THE DESOLATION OF SMAUG, THE HOBBIT: THE BATTLE OF THE FIVE ARMIES and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc. GW, Games Workshop, Citadel, White Dwarf, Space Marine, 40K, Warhammer, Warhammer 40,000, the ‘Aquila’ Double-headed Eagle logo, Warhammer Age of Sigmar, Battletome, Stormcast Eternals, and all associated logos, illustrations, images, names, creatures, races, vehicles, locations, weapons, characters, and the distinctive likenesses thereof, are either ® or ™, and/or © Games Workshop Limited, variably registered around the world. Like some older trumpeters he seems to have found his way early and intuitively, and later on to have done it sometimes brilliantly, sometimes well, and on occasion not at all. Is there any reason to suppose that, other than the loss of teeth and various physical effects of drug-taking, etc., his life after that pretentiously agonized-over photo had any profound effect on his art? Something of a personal horror at times, he can seem to be the focus of a cult of moral passivity. Just let us know.Concierto is an album by the Jim Hall sextet featuring Paul Desmond, Chet Baker, Ron Carter, Steve Gadd and Roland Hanna, produced by Creed Taylor.īaker’s biography is often the stuff of nonsense and horrible stories, from the early pretty-boy photograph of modish fascination to the toothless shrunken cheeks and final gaunt look, taking in some sickening detail. If you wish, we will also remove from our Songs For Sale catalog this song and any other songs for which you hold the copyright. We will be happy to pay you industry-standard print royalties, retroactively to our first resale if any of this sheet music. If so, please contact us and let us know. We make a good-faith effort to identify copyright holders and pay appropriate print royalties for sheet music sales, but it’s possible that for this song we have not identified and paid you fair royalties. IF YOU ARE THE COPYRIGHT HOLDER: you are entitled to print royalties from all resales of this sheet music. Note that you are NOT the copyright holder if you performed this song, or if you arranged a song that’s already copyrighted. Tunescribers is committed to paying fair print royalties for all sheet music that we resell through our Songs For Sale service.ĪRE YOU THE COPYRIGHT HOLDER? You hold the copyright to this song if (a) you composed it and retained ownership of copyright, or (b) it’s in the public domain, you arranged it and retained ownership of copyright, or (c) you acquired the copyright from a previous owner. |
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